Monday, November 16, 2009

The Men Who Stare at Goats

When I discovered a movie was being made about The Men Who Stare at Goats I was excited, until I realized it was a comedic work of fiction. Thing is, The Men Who Stare at Goats isn't funny.

Oh, it's darkly humorous as the author, Jon Ronson, attempts to get to the truth while keeping a straight face. But it's not funny, and the conclusion Ronson reaches by the end of the book, after tracking the noble origins of a twisted, sadistic form of psychological warfare, is a punch in the face. So why was it made into a comedy?

Fortunately, comedy is too broad a stroke for the movie. It's actually a gonzo buddy journalism movie, where the actors play everything utterly straight. The humor is in what isn't said.

For example: When Ewan McGregor's journalist character Bob Wilton, he of Obi-Wan fame, asks "What's a Jedi?" nobody so much as snickers. Unfortunately the audience didn't seem to get it either: only my wife and I were laughing.

Wilton is on a mission to prove to his wife that he's more of a man than the one-armed editor who steals her from him. See? One armed men are funny!

Partnering with Lyn Cassady (George Clooney), a Special Forces psi-ops soldier, the two travel around Iraq on a mysterious mission. Just about every eccentric Ronson encountered in his book is collapsed into two characters in the film, Cassady and Bill Django (Jeff Bridges), Cassady's mentor.

And that's pretty much where The Men Who Stares at Goats loses its way…literally, as the two characters repeatedly get lost in the desert. Eventually, they end up at a secret base where more than just goat staring takes place.

The film is faithful to its source in surprising ways, from the Today show broadcast of Barney music used in torturing prisoners to a picture-for-picture reproduction of the First Earth Battalion manual (here titled the New Earth Army). The problem is that following Ronson/Wilton's journey to its logical conclusion should end with court marshals, public outrage, and an official inquiry. The strength and weakness of The Men Who Stare at Goats is that it unflinchingly deals with this problem…it's just that the solution is patently ridiculous. The film drives right off the cliff into a wish fulfillment fantasy that saps the strength of the rest of the movie.

The film ends with a sucker punch (SPOILER). Wilton publishes the truth, and instead of outrage, the world just laughs. The moral is that mass media turned the awful true story into a comedy…just like a comedic buddy movie did to a certain book you might have read.

Too bleak to be funny, too lighthearted to be serious, The Men Who Stares at Goats ends up as a hot mess of hippy idealism smashed together with modern conspiracy. It should have been a documentary.

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