Saturday, February 28, 2009

Defiance

It's very easy to assume that Defiance is a wish-fulfillment revenge narrative wherein we finally witness stories of common folks who resisted the Nazis with tooth and nail. A certain entertainment magazine reviewer blithely dismissed the entire film as too "Hollywood," because Tuvia (Daniel Craig) murders the entire family who assisted in the Nazis in wiping out his family. The review's assessment couldn't be further from the truth.

Defiance is the true story of Tuvia and Zus Bielski (Liev Schrieber), two brothers who lived on the fringes of polite Jewish society by surviving in the deep woods, more akin to bandits than heroes. Where Tuvia is cool-headed, Zus is dangerously violent. The two soon discover a widening circle of friends and distant relatives seeking their protection, until Tuvia is moved to rescue Jews from a ghetto. Now he has to contend with well-bred city folks who know nothing about surviving in the Russian winter.

Defiance never glamorizes death. The Nazi attacks share less screen time, presumably because audiences need no convincing about the nature of their crimes. But even the Bielski retaliation against German troops is miserable -- Germans plead for their lives even as they are executed. War, Defiance tells us, is reprehensible, and it is a task for rough men. The question is if rough men are responsible for protecting the weak. Why should soldiers protect civilians?

Every ugly part of war is on full display here: defections, in-fighting, disease, starvation, alliances of convenience (between men and women, Russians and Jews), bigotry, incompetence, loss of faith, and yes, brutal, bloody revenge. By the end of the film, audiences are less likely to feel vindicated as they are disgusted by the places Defiance takes us. This is not a feel good film, not even as a revenge fantasy.

Defiance doesn't cover every angle. As criminals themselves, the Bielskis surely committed crimes we don't see on screen (see the Wikipedia entry on the Bielski partisans for more). But it is hardly a glamorized portrayal of their experience.

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