Seeing current movies these days is a challenge with a very active toddler. When Valentine's Day came around, we dropped our son off with my parents and I let my wife pick the movie. She of course picked the "vampire movie." Which is why I love my wife.
As a big fan of Kate Beckinsale and the World of Darkness role-playing game, the Underworld series quickly became a favorite. It featured big budget special effects, lots of PVC and leather, and plenty of pouty vampires. It also featured a battle between vampires and werewolves, a concept that was so prominent in White Wolf's World of Darkness series that it sparked a lawsuit.
Despite the lawsuit, Underworld continues to forge its own path, such that it now has prequels. You know your movie franchise has made it when executives are willing to pay to produce what is essentially a history book. Fortunately, this bit of history is actually worth watching.
Werewolves and vampires have always been a bit of a mixed bag in Hollywood. The fact that Dracula could turn into a wolf seems to be one of the less plausible aspects of vampirism that were dropped in favor of the Ricean pouty goth. Thus the ability to transform into a wolf is exclusively the domain of the werewolf. But it wasn't always this way.
The vrykolakas, draws its name from "vryk," meaning "wolf" and lakas, meaning "fur" in modern Slavic languages clearly meant "werewolf." Vrykolakas in other countries, however, is used to describe vampires. This is because of the aforementioned ability of a vampire to turn into a wolf, which can be strictly interpreted as meaning that all vampires are actually werewolves.
Underworld: Rise of the Lycans turns this confusion into a plot. In short, vampires and werewolves are descended from the same bloodline, but the vampires have risen to the role of aristocrat while werewolves are little more than beasts. Or at least, that's what the vampires believe. To that end, Viktor (Bill Nighy) the vampire lord treats domesticated werewolf Lucian (Michael Sheen) as his foster son, giving him blacksmith duties that ensure werewolves don't transform with inward-pointing spiked collars. But Viktor's benevolence has limits, and when he discovers that Lucian is having a dalliance with his daughter Sonja (the delectable Rhona Mitra, who still isn't quite Beckinsale but comes pretty darn close), he teaches Lucian a terrible lesson. What Viktor underestimates is the kinship that Lucian has with his wilder brethren, a kinship that will spark class warfare.
Rise of the Lycans is basically what you get when you give a serious goth injection to the elves from Lord of the Rings, rehash the plot from Romeo and Juliet, and steal the feudal arrangement of vampires and their human "cattle" from the World of Darkness series. Nobody speaks in contractions. Everything is viewed through a dark blue lens. And lots of limbs get hacked off.
The real story here is the werewolves. It's their class struggle, after all, and the movie never shies away from the dire consequences of the characters' actions. There is a high enough body count on both sides to make Shakespeare proud.
Vampires. Werewolves. Vampires and werewolves killing each other. Two star-crossed lovers bound by their family allegiances and the curse of their blood. What more could you ask for in a Valentine's Day date movie?
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